切尔西学院校友风采 ames Capper 是一位英国青年艺术家,毕业于伦敦艺术大学切尔西艺术学 院,年仅 24 岁的他是一个非常有趣的艺术家或者说大男孩儿,他的工作室就是他 玩耍的空间──一个大车间。 从小对机器的热爱转化为 Capper 源源不断的灵感来源。他的作品曾在世界 各地展出,虽然年纪尚轻,但却已获得诸多国际大奖:英国皇家雕塑家协会奖学 金, 皇家艺术学会杰伍德雕塑奖, 杰克·歌德西尔雕塑奖等等。 然而 Capper 对这些成就却表现得出奇淡然,只是专注于自己的创作,除了 创作以外的事情都交由他的代理画廊来为他打理。 Capper 的创作灵感之一就是把物品从他惯有的背景中抽离出来——把一个 具有某种特定功能的物品去功能化,这种二十世纪的现代主义思路在他的作品中 多有体现。Capper 经常运用日常用品进行创作,比如他利用水管、刀片、犁制作 出了在地面做标记的工具。还有他创造的“The Ripper Teeth”,是一个绘图工 具,可以在不同材料表面进行雕刻,留下不同的花纹、形状。 Chelsea’s Alumni James Capper’s Art World James Capper is an English young artist, who graduated from the Chelsea College of Arts. The 24 year old young man is a very interesting artist. His studio is where he plays- a big tool-room. Capper has won a series of awards including the Royal Society of British Sculptors Bursary Award, the Royal Academy of Arts Jerwood Sculpture Prize, the Jack Goldhill Prize for Sculpture and so on. Taking things out of context – recasting a functional object in a non-functioning capacity, let’s say – is a familiar trope of twentieth-century modernism that the work of James Capper both addresses and amends. Capper makes new objects that suggest existing ones (hydraulic pumps, cutting blades, ploughs), and by doing so generates a new creative function for that object: the making of marks on a surface. These, then, are drawing machines, their actions gouging or scraping new forms in a receiving material, and sculptural forms too, their forms abstracted, almost modernist. The Ripper Teeth act as locomotive elements attached to an existing machine: thrown out in front of it into deep or difficult terrain, they pull the machine along by dragging. The motions of the Teeth are recorded, both in the earth itself and, often, through video documentation, as components of a performance of sorts. 详细报道请见: http://mp.weixin.qq.com/s?__biz=MjM5NDA4NzU2Mg==&mid=400704561&idx=1&s n=50275f6a7ac2f146e720482eed323c7e#rd
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